This is part two of the
best and worst movies of the Cannes Film Festival. The first part can be found
here.
What We Do In The Shadows
Because the
Flight Of The Conchords team is behind What We Do In The Shadows, the film is getting more
attention than it probably deserves. It's an almost exact copy of a low budget Belgian film,
Vampires by
Vincent Lannoo, which I saw at the
Brussels International Fantastic Film Festival in 2010. Both are about a television crew making a documentary about modern vampires and their daily problems (read: household chores). The similarities are
so obvious, surely the filmmakers must have seen this obscure film
and been inspired. So, please, give the original one some credit and watch
Vampires instead of this one.
The Curse Of Downers Grove
Based upon
the novel
Downers Grove by Michael Hornburg and scripted by Brett Easton Ellis, The Curse Of
Downers Grove follows a group of teenage friends who believe that
every year a schoolmate will die on graduation day. As the big day
approaches, several tensions between the teens are created which
could eventually lead to the death of one of them. But are these
teens creating their own fate? Or is the
curse of Downers Grove a reality? The story is well built-up and you get to
care about what happens to the characters. However, what misses is a
bit of mystery and a satisfying ending.
Murder Of A Cat
Produced by Sam Raimi,
Murder Of A Cat is a cozy mystery about a cat owner who sets out to
uncover the truth behind the murder of his feline friend. He finds
out that his cat was leading a double life and that he may be linked
to a local conspiracy. The beginning of Murder Of A Cat was
hilarious. After that, the story becomes rather lame and uninspired.
Overall, a cute family movie that may do well on TV.
Welcome To New York
Abel Ferrara
tackles the story of DSK (here called Deveraux), the French politician who assaulted his hotel maid. This
translates in a succession of graphic, elaborate sex scenes and
conversations revealing his obsession with sex. Welcome To
New York is superficial as it only shows Deveraux in a mono-linear
way. Surely there must have been more to his personality. On several
occasions
The Wolf Of Wallstreet sprang to mind, usually to remind
me that similar subjects can be portrayed in a more exhilarating way.
With Gérard Dépardieux and Jacqueline Bisset, both of which were
present for the screening of their movie.
Horsehead
This movie about a girl and her attempts at lucid dreaming was a walk-out. Shallow and boring.
Killers
Two serial killers put their
crimes online and battle for notoriety in this Japanese/Indonesian
thriller. The violent scenes are solid, but all the others border on
the ridiculous. Impossible to sit through the 137 minutes of this
film. But on the positive note: Horsehead was much worse.
White God
White God was one of my favorites of the Cannes Film Festival. A father obliges his
daughter to abandon her beloved dog on the streets. While the animal
tries to survive the hardships he encounters, the girl refuses to
give up on him and sets out on a search. When they'll meet again,
neither of them will be the same. White God is a mix between fairy
tale and horror. A strange combination that's incredibly touching
and hard at the same time. I cried for two hours straight, mostly
because I couldn't stand to see the dogs suffering.
Kiki's Delivery Service
Because of an
ancient law, the thirteen-year-old witch Kiki must leave home and
live on her own for one year. With Jiji, her black cat, she flies off
with her broom towards a group of islands far over the sea where
she starts a broom-based delivery service. Kiki's Delivery Service is
cute but a bit bland. What makes the film worth seeing, though, is
Jiji the cat who is hyper-funny and omnipresent. If possible, watch
Miyazaki's original from 1989.
It Follows
After the first screening
of It Follows, the audience claimed it was the best and creepiest horror
film they'd seen in a long time. Because everyone was talking about
it, getting into another screening was hard. My first reaction when I
finally saw It Follows was that it was over-hyped. Script-wise, it
could have been just your ordinary horror film, but because of great
sound design and a constant thread that lurks around every corner, it
works, and just as everyone else I was creeped out of my skin.
When Animals Dream
A girl discovers
she's a werewolf at the same time as she discovers love. Directed and written with taste and talent, When Animals Dream is a beautifully
made film, but it never made me feel a single
emotion.
Wild Tales (Relatos Salvajes)
Wild Tales is
a combination of six short stories about people who can't cope with
the injustices of life and react by behaving savagely. Each story is
surprising, original and laugh-out-loud funny. Could have been
shorter, though.
5 Minutes
The concept was intriguing (the world will end in 5 minutes; should you tell your children?), but the acting, direction and photography were so amateurish I was glad this short film only lasted five minutes.
One For The Road
In this Mexican version of the
The Bucket List, three retired men go
on a road trip through Mexico to grant the last wish of their
lifelong friend. One For The Road is
charming and funny, but also a little too easy and uneventful.
Lost River
Ryan Gosling does everything right in his directorial debut. The filming locations, the soundtrack, the actors, the photography... They all complement each other perfectly and I can't say there's one element that stands out in Lost River, because every single one is mesmerizing. It all reminded me of Nicolas Winding Refn, which is not surprising as Gosling collaborated with him for
Drive and
Only God Forgives. And is Gosling as talented as Refn? Absolutely.